The Flop House episode on this movie is one of my favorites, largely because Kalan is one of the few critics to understand the broader scope of comic books as a medium, so he definitely understands that this was Frank Miller passing on Will Eisner's legacy in a concerted effort to improve his own legacy.
I'm not sure he understands that his camera does not understand nor can receive voice commands. Even if it did, with that kind of treatment, I'd tune him out too.